Introducing Sinclair Lewis's Novels to Adults Informally
 Via an October-November 2005 Montreat College, North Carolina
Adult Education Course

by Patrick and Mary Killough

In October - November 2005, we (Patrick and Mary Killough) co-taught for Montreat College, North Carolina, a course introducing to adults the 22 novels of Harry Sinclair Lewis and his boy's adventure tale, HIKE AND THE AEROPLANE. Why did we do it? How did we structure the course? How did students take to Lewis?

For a dozen years we have participated in the informal adult education program of Montreat College, Montreat, NC, called MCCALL (Montreat College Center for Adult Lifelong Learning). (See http://www.montreat.edu/academics/mccall/). MCCALL offers four week (eight contact hours) and six week (12 contact hours) courses in standard format of The Elderhostel Institute Network (see http://www.elderhostel.org/ein/intro.asp). Our Sinclair Lewis course was from 10:00 a.m. on six consecutive Wednesdays and had six two-hour classes.

Patrick, who retired in 1991 from U.S. foreign service ( Department of State), had taught numerous solo courses for MCCALL. He had also collaborated three times with Mary (whose PhD is in German and Linguistics from University of Texas/Austin) on MCCALL courses, THE GERMANS (twice) and JOHN HENRY NEWMAN: FROM CALVINIST TO CARDINAL.

Since the 1970s Patrick has been fascinated by informal education of adults, of the sort presented at service club meetings, in church sermons, GREAT DECISION foreign policy discussions, book clubs and the like. A special focus within that framework has been service clubs and their predecessor booster clubs. Early on Patrick discovered Sinclair Lewis's skewering of Rotary in ELMER GANTRY and had found scattered other references to attacks by Lewis on service clubs.

The year 2005 is the Centennial of the founding of the first service club, the Rotary Club of Chicago. Some months ago Patrick joined the Rotary Global History Project (see http://www.rotaryhistoryfellowship.org/) and was surprised to discover certain stereotypical attitudes and even errors about Lewis's characters (e.g. the widespread belief among Rotarians that Lewis's fictional George F. BABBITT was a Rotarian (he was not; he was a Booster).

From this came our decision to offer an introductory survey of 23 of Lewis's books. In the process, Patrick would, inter alia, keep an eye out for remarks about service clubs. Mary would focus on Lewis's presentation of women. (For details see our web site at
http://www.patrickkillough.com/courses/sinclairlewis_outline.html and associated links.)

Our model for constructing our classes was an elderhostel course given a few years back at a Geneva Bay Centre elderhostel on Lake Geneva, Wisconsin
(see: http://www.covenantharbor.org/elderhostel_main.htm). It was a survey of Irish culture and literature. A Professor of the University of Wisconsin at Milwaukee gave each of us a four page listing of Irish literature from beginning until now. With that bare outline before us, she then filled in the blanks in her lectures. We thought that was a helpful, doable and transferable approach for the many fewer works we would present about Sinclair Lewis.

Since Lewis's works were fewer and all in the first half of the 20th century, we could present them more depth than was done for the Irish literature list, especially Lewis's seven or eight 'best' works. But for each of the 23 books our core would be reading aloud selected passages. The books were presented chronologically. And each was located against Lewis's biography. Publishing history and critics' reaction were also given. In our final section there was a general summing up and free for all discussion.

To prepare to teach, we first read the 23 books in whatever order we could lay our hands on them.  Similarly for 10 or 15 secondary sources. And films on video tape. We bought copies of all but three books (those we read via inter-library loan). As he read each one, Patrick dashed off brief reviews for www.amazon.com and www.barnesandnoble.com. As course time approached, we then reread the books in the order they were written. That second reading gave remarkably new insights.

We live in Buncombe County (its seat, Asheville, in western North Carolina. This is are anything but an intellectual and cultural desert. There are small private and public colleges and universities (some with national or regional reputations). But there are no  major research universities within a hundred miles. Since 1988 the University of North Carolina at Asheville has offered through its Center For Creative Retirement (See http://www.unca.edu/ncccr/) a rich program of non-credit courses in religion, arts, literature, sciences, etc.  Patrick took an excellent course there with a retired professor on Joyce's ULYSSES. Montreat College's MCCALL (20 miles to the east) is a smaller, more modest version of the Creative Retirement approach.

Had there been a resident Sinclair Lewis expert whom MCCALL could have persuaded to teach an introduction to the novels of Lewis, we need not have offered our course. But we have long agreed with Chesterton that "if a thing's worth doing, it's worth doing badly." So we went ahead.

Our goal was to give a solid informal introduction to Lewis's 23 books for the purpose of empowering our students to select for themselves which three or four or five to read by themselves. Both we and our students seemed pleased with our modest, clearly defined goal and our methods of presentation.  Students included a published novelist and one PhD candidate who had taken other courses of ours and read for the course nearly as much of Lewis as we did. We stay in touch with several of our students and lend them copies of Lewis films on tape.

A temptation we had to overcome was to be dragged too much into Lewis's complicated biography at the expense of his text. This temptation was complicated by the fact that Lewis  wrote so often of events in the nation's very recent past, drawing on personal experiences. It was only after the course's end that we read the rather sunny biography, SINCLAIR LEWIS: REBEL FROM MAIN STREET by Richard Lingeman. So we were probably too much influenced in our preparations by Mark Schorer's generally negative, often depressing SINCLAIR LEWIS: AN AMERICAN LIFE.

For follow on we are thinking of offering for the April 2007 MCCALL session a four-week (eight hour) course on SINCLAIR LEWIS AND THE AMERICAN THEATER.  His contributions, of course, to theater, were far less than to the art of the novel. But the thinness of his work, except for IT CAN'T HAPPEN HERE and the Federal Theatre Project, might unleash us to focus more on Lewis's often sad life. Our students have asked us to work up such a course.

patrick@thekilloughs.com
mary@thekilloughs.com




12/12/05